The History of Beeldig Lommel
Fifteen editions ago, the idea for Beeldig Lommel was born during another summer event, the "Day of Sand" (now known as Bal Final). A few living statues had been booked as extra entertainment, but the audience's reactions were so enthusiastic that the seed was immediately planted for a completely new concept: a festival dedicated to living statues.
The very first edition started modestly, with just 40 living statues. Today, that number has more than doubled and is supplemented by dozens of mobile acts, music groups, and children’s statues. Beeldig Lommel can proudly call itself Europe’s largest living statue festival.
An Art Form of Pure Dedication
Portuguese artist Maria Silva is no ordinary living statue performer. During her acts, she remains completely still for three hours: no reaction, no movement, no break. “I see myself more as a living sculpture than an interactive statue,” she says. “For me, it’s all about total focus and willpower. No training, no tricks—just stand still. Being stubborn helps (laughs).”
Creative to the Core
Maria's performances are worked out in great detail. She spends years developing concepts, has custom costumes made, gathers props, and paints every detail herself. “Sometimes, an idea only comes to life after several years. On average, I create one new act every one to two years. I'd rather present one strong performance than several half-finished ones. Quality over quantity.”
Her performances in the church during previous editions were also memorable. Among authentic statues, her silent presence came to life so convincingly that visitors had to focus to spot which figure was real and which wasn’t.
No Competition, Just Connection
What makes Beeldig Lommel so special, according to her? “The atmosphere. No competition, no prizes—just artists sharing their passion. That creates a warm, family-like feeling. I can truly be myself here, however ‘crazy’ that may seem (laughs).”
At many living statue festivals, it's common for a panel of judges and the audience to vote, followed by prize announcements. Beeldig Lommel has consciously chosen not to do this, because each statue has its own strength and style, and cannot be compared. Comparing them would diminish the diversity of the festival.
New This Year: ‘From My Balcony’
For this anniversary edition, Maria returns with a brand-new act: ‘From My Balcony’. This time, no church—but a balcony, from where she will silently observe the audience. “My acts are all about silence, not interaction. You’ll recognize me as the one who never takes a break,” she says with a wink.
Curious to see Maria Silva’s newest performance? Come admire her, and hundreds of other international acts, at Beeldig Lommel on June 14 and 15.